Hellboy: The Crooked Man, directed by Brian Taylor, is a return to the darker, more atmospheric side of Mike Mignola’s Hellboy comics. Starring Jack Kesy as the titular demon, the film is set in 1950s Appalachia, where Hellboy and his ally, Alice Monaghan (Adeline Rudolph), investigate a string of mysterious murders linked to an ancient evil known as the Crooked Man, a terrifying figure from local folklore.
The movie leans heavily into horror and folklore, with a storyline that explores Hellboy’s internal struggles about his destiny as the prophesied bringer of Armageddon. While the action sequences are solid, the real focus is on atmosphere, psychological tension, and Hellboy’s personal conflict. Kesy’s portrayal of Hellboy is notably more introspective, bringing a deeper emotional layer to the character. He doesn’t have the same chaotic energy as Ron Perlman or David Harbour, but Kesy’s version feels grounded and fitting for the somber tone of the film.
The setting, with its gothic visuals and eerie rural landscapes, adds to the oppressive feeling of the film. The Crooked Man, designed with a mix of practical effects and CGI, is a chilling villain that fits the dark atmosphere. The supporting cast, especially Adeline Rudolph, complements Hellboy well, though their characters don’t receive as much development.
While The Crooked Man may not have the same grand spectacle as previous Hellboy films, it succeeds in creating a more intimate, character-driven narrative. It’s a darker, more reflective take on the franchise, with a focus on supernatural horror and Hellboy’s struggle with his fate. Fans of Mignola’s comics and those looking for a slower, more atmospheric entry will appreciate this film.
